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A Letter From The President

What a way to end 2016!

The 5th annual Christmas in Clayton Art & Home Tour was such a fantastic event!

This was the first year I was able to enjoy the Tour as a tourist rather than an artist stuck in one spot. The beautiful homes were so festively decorated. It really got me into the Christmas spirit. All 15 artists had a huge variety of fine arts and fine art crafts ready to sell. There was in live music thanks to Dr. TBone Tucker. The state-of-the-art Equestrian Center with all of the horses in their decorated stalls showcased the uniqueness of this year’s Art & Home Tour venue.

None of this would have been possible without a huge team of volunteers. Many thanks go to Sandra Thompson of Portofino and Dianne Carroll, chair of the Christmas in Clayton committee for all 5 years. I always get into trouble trying to get all the volunteer names, so I’m not going to do it! But I would like to give a special thank-you to the Clayton Woman’s Club (and some husbands) for all of their help in this event. This organization has been a valuable partner for Clayton Visual Arts as they also sponsor January’s Student Art Festival and serve refreshments at the September Art Faire, both held at The Clayton Center.

Over or around 300 tickets were sold! After printing and advertising expenses are paid, there will still be a lot of money to support Clayton area middle and high school art programs. At the January 5th Clayton Center reception, funding will be awarded to grant applicants through the Dorothy Dembosky Teacher Assistance Grants. A special thanks goes to Vice President Deborah Coates for making sure all of the eligible art teachers were made aware of this opportunity. To learn more about Dorothy Dembosky and her amazing art career, view this memorial video produced by The Town of Clayton.

Next year’s event looks equally promising as there is more than one subdivision eager to help CVA host this event!

-Amy Beshgetoorian

Member Happenings

CVA 2017 Calendar sneak-peek

Be on the lookout for CVA’s Capture The Town 2017 Calendars. This 12-month calendar is made up of images from Clayton’s professional photographers, many of which were entries in the June Capture the Town photography competition. Calendars are only $12 and make the perfect Christmas gift.


Skyline's Cafe features artwork by Deborah Phillips Coates

Enjoy artwork by Deborah Phillips Coates while you dine at Skyline’s Cafe. See more of Coates’ artwork at Visual Praise Studio. For address, hours and menu, visit



Call to artists: North Carolina Artists Exhibition

Deadline for the North Carolina Artists Exhibition is January 9th. This prestigious exhibit is shown at the Betty Ray McCain Gallery located at Raleigh Memorial Auditorium. Learn more here.

Michael Morrison earns presidential award
Michael Todd Morrison was bestowed the Abraham Lincoln Honor Award: President’s Volunteer Service Award from President Obama.
His volunteer service exceeded 500 hours last year which included his volunteer efforts for several non profit foundations which included Clayton Visual Arts, Spirit of Harmony Foundation, Hearts of Color, Cancer Foundations, the USDA food drive, and many others.


Artist Eric McRay mentions his Clayton Center exhibit in Walter Magazine

by Tina Haver Currin

photographs by Christopher T. Martin

The first thing you see when you walk into painter Eric McRay’s studio is a wall populated by small square canvases filled with colorful hearts. Inside each heart, there are emblems of North Carolina iconography, like the Krispy Kreme logo or the N.C. State Bell tower, or nods to personal motifs, or pop-culture references, all shrunk to fit into a six-by-six inch canvas. It’s a series he’s produced for five years, and the artist estimates he’s painted hundreds – if not thousands – in that time.

“It’s an excellent way for me to dive into iconography and empty myself of ideas,” he explains. McRay is quick to point out or pull references from his older work, and he moves about his compact studio space with the intimate knowledge that comes from long-term commitment. “I’ll just get on a roll and produce a huge number for a period of time.”

What McRay, 51, calls his “heart wall” is indicative of a larger trend for the artist. He refuses to be defined by a single style; instead, he builds upon the imagery and techniques he’s perfected over three decades to pump out new bodies of work.

Creating tirelessly in the studio that he’s held in downtown Raleigh’s Artspace since 1999, McRay has become a fixture of the Triangle arts scene. His work, which also includes mottled North Carolina landscapes, colorful jazz portraits, and collages of bustling cityscapes, hangs in the American Tobacco Campus and the Duke University Medical Center. While vibrant colors and an expressive, playful style are evident in his pieces, the most consistent McRay mark might be the heart that always shines through.


“His work has this false simplicity, yet the elegance, sweat, and curiosity that it took to create it is monumental,” says Lee Greene, a collector of McRay’s work who has purchased more than a dozen pieces over the last decade. “It’s deceptive, like an athlete doing something that looks so easy. That effort is years in the making.”

Prolific, entrepreneurial

On November 3, McRay unveiled a new collection at the Clayton Center, a community hub for the performing arts. Shows at Duke Hospital and the Tryon Arts Center will follow in early 2017. Each year, the painter aims to launch a series with a unique focus, and this year is no exception. Throughout 2016, McRay has focused on bold abstract paintings that lack definitive subject matter. Instead, he’s perfected working with solid chunks of acrylic paint to create colorful images that feel at once spontaneous and intensely emotional.

“Eric is very committed and very driven, and is also dedicated to teaching young artists about a variety of styles that he’s experimented with over the years,” says Mary Poole, president and CEO of Artspace. She has worked alongside McRay for 15 years.

Early in his career, the painter received a piece of advice that eventually led to his massive annual output. After he met with the owner of a small private museum who admired his paintings, the curator asked how many pieces McRay had available for sale. At the time, it was around 30. The curator told McRay that he needed at least 50 pieces to be taken seriously.

“That etched itself in my mind,” McRay says. “So, when I create new bodies of work, I’m always aiming to create at least 50 pieces in that vein. It has made me very productive and ambitious. I’ve set goals that aren’t driven strictly by passion, but more so by discipline.”


That explains the hundreds of hearts that hang in his studio, but also the scads of monochromatic nudes that he keeps in a file next to his desk, the innumerable portraits of lively saxophonists and trumpet players, and the dozens of unfinished canvases that dot his workspace.

McRay considers himself an entrepreneur as much as a painter. In fact, he estimates only a third of his time is actually spent creating the art for which he’s become so well known. Much of his painting occurs after dark, when traditional businesses have closed their doors and most workers have gone home. It’s the only time he doesn’t have to worry about typical business routines, like responding to emails, scheduling exhibitions, and chasing down invoices or bank statements.

“We tend to romanticize artists as these monks on mountaintops, like they don’t need gasoline or don’t want children or a quality of life,” McRay says, with a chuckle. Indeed, he holds his cellphone, which buzzes and beeps routinely, close to his chest. “Bottom line, everybody has to work. Last time I checked, there weren’t a ton of job openings that said, ‘Apply here for celebrity artist.’”

“He’s a bird”

As his enterprise has expanded, McRay has taken up teaching as a form of both business and artistic outreach. The painter regularly hosts classes, like his “Brilliant Coastal Scenery” workshop at the Cary Arts Center and Jerry’s Artarama for youth and adults alike. He says that working one-on-one with students brings him joy, as he’s able to pass his formal arts education on to others. McRay fondly remembers when he was the promising young student, and how much the encouragement he received from family members and teachers meant to him (though he’s not yet “the bearded elder” either, he’s quick to note).

McRay clearly recalls the moment he discovered his talent, “like Sir Isaac Newton getting struck on the head by an apple.” When his elementary-school teacher asked if anyone would like to contribute to the classroom bulletin board, the 6-year-old jumped at the opportunity to draw his version of Rumpelstiltskin. He was surprised when his teacher exited the classroom – only to return with colleagues in tow. She wanted to show them what he had created.

“For me, it was just natural. When a bird jumps out of the window and flies off, he’s not impressed with himself. He’s a bird,” McRay explains, matter-of-factly. “But when I saw that other people had this reaction, I thought, this has real value.”


From that day forward, McRay began his journey as an artist, and he’s never looked back. He began doing freelance graphic and mural design as soon as he was old enough to work, and happily owned his delegation as an “arty kid.” While in high school, McRay was awarded a scholarship to the Maryland Institute College of Art, where he received a degree in fine arts. Not long after graduating, at age 23, McRay made his way to North Carolina. He’s been here ever since.

And he’s had a front-row seat, from his perch at the corner of Davie and Blount Streets, as the Raleigh arts scene has transformed from a small pocket in a fledgling downtown to a flourishing community, complete with a contemporary art museum and a popular First Friday arts walk. Through the years, he has served as the president of the Artspace Artists Association, in addition to working on Artspace’s board of directors and serving on its executive committee.

“One of the keys to Artspace is our collaborative environment,” Poole explains. “We share ideas and techniques that spark the imagination in a way you may not get working in a private studio. It’s camaraderie.”

But McRay can recall a time – not so long ago – when he would only be asked to exhibit his work during Black History Month. As the city has grown, McRay feels that the diversity and inclusion of the arts community has grown with it. He’s never allowed himself to feel limited by what others thought his art “should” be, but McRay is glad that there are new opportunities available for young artists in the city. It’s an obvious step in the right direction, of course, but that growth doesn’t come without its challenges.

“It’s amazing for a collector to have so much vibrant choice in Raleigh,” says Greene, the collector. “On the other hand, you really have to differentiate yourself to get attention now. Eric is always asking himself, ‘How can I be a better artist?’ He keeps refining, and I have such a deep respect for that, because that’s what makes people great.”

McRay, whose friends jokingly refer to him as “his own hero,” doesn’t seem too concerned by the increased competition. “If I waited for people to come in here and praise me, I’d never get up,” he says. “The support of others is key, but there has to be a fire in your belly. I’m thankful that what I do enriches the community, but I’m just doing what I’m supposed to do. And I’m going to keep doing it. Simple as that.”

Interview with Lori White makes note of 2017 CVA exhibit


Q: What has VAE done for you as an artist?
LW: “I first wandered into VAE in about 2000 when a painter friend John Gaitenby had a piece in a show there. I had painted as a teenager, and then abandoned art for a career that pleased the family, paid the bills, and allowed me to do some purposeful work for the environment. But art kept calling and in 2002 I started painting again, entered some works at a VAE show in about 2003 and actually got 2 accepted and one sold. I thought I had this art thing figured out – NOT! Then Sarah Powers became Executive Director of VAE, and the place evolved exponentially, moved to Martin Street, and has become a shining light for the Triangle art community. As Brandon Cordrey has assumed leadership of VAE, it continues to nurture emerging artists and develop cutting edge shows that transcend just paintings, pottery, and sculpture. At VAE my works get an occasional award and also get declined for shows – it comes with the territory, and you just have to keep on painting. VAE has been a continuing catalyst for my development as a painter. Between the exhibition opportunities, seminars, critique sessions, plein air group, Ignite, SparkCon, and so much more, it has allowed so many of us to transcend our self-imposed limitations.”

We are thrilled to present the featured artwork for our 2017 gala, “Warehouse District, 3:58pm” by Lori White! This stunning oil painting will be available in this year’s live auction on February 25th and depicts a quiet late afternoon in downtown Raleigh’s Warehouse District.

Q: You’ve donated to VAE’s auction for many years. Why do you think it’s important to do so?
LW: “I’ve always been happy to donate art for great causes. I’ve supported other organizations over the years, including the Alliance for AIDS Services and the Compass Center, but giving back to VAE is great. I like it that my work supports the development of other artists at VAE. Your auctions are fun, high energy events, where artists put their works (and hearts and souls) out there for all to see and bid on.

Q: What is your favorite piece of art that you own?
LW “I have a small snowscape by one of my favorite artists, Frank Serrano. It’s a small plein air piece I bought in Colorado Springs when I was out there for a painting workshop. I’ve collected other small plein air works by Frank since, but the first one is still something special. Artists collecting other artists is very common and very cool.”

Q: If you could go back in time to when you were just starting out, what one piece of advice would give yourself?
LW: “Just shut up and paint. And study, and get critiqued, and buy the best art materials you can afford, and be kind to everyone.”

Q: What’s coming up for you in 2017?
LW: “I have shows in February at Village Art Circle in Cary, May at Crook’s Corner in Chapel Hill (one of my very favorite restaurants), and June at Clayton Visual Arts. AND, starting January 2 I will be painting full-time – and can’t wait! The Universe has been very kind.”

Call to Artists: Pick 2 Juried Show

January 8, 2017 is the deadline to enter Tipping Paint Gallery’s Pick 2 Juried show. Pick any two paint colors (plus white) for your creation. Juried entries will hang in Tipping Paint Gallery during the month of February. TPG is located at 311 W Martin Street in Raleigh’s Warehouse District. Winner receives $100. Learn more here.


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  • Susan Yamakawa

    Thank you, I really appreciate this letter and your time.I haven’t been able to read past newsletters on my IPad.Thank you again.

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